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GET /v1/reviews

A member's recent written reviews

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api.oanor.com/letterboxd-api

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Extraits de code

curl "https://api.oanor.com/letterboxd-api/v1/reviews" \
  -H "x-oanor-key: oanor_test_..."
await fetch("https://api.oanor.com/letterboxd-api/v1/reviews", {
  headers: { "x-oanor-key": "oanor_test_..." }
});
$ch = curl_init("https://api.oanor.com/letterboxd-api/v1/reviews");
curl_setopt($ch, CURLOPT_HTTPHEADER, ["x-oanor-key: oanor_test_..."]);
curl_setopt($ch, CURLOPT_RETURNTRANSFER, true);
$out = curl_exec($ch);
import requests
requests.get(
    "https://api.oanor.com/letterboxd-api/v1/reviews",
    headers={"x-oanor-key": "oanor_test_..."}
)

Exemple de réponse

Une réponse réelle de ce endpoint, capturée lors du dernier contrôle de santé.

{
    "data": {
        "count": 20,
        "reviews": [
            {
                "film": "The Furious",
                "link": "https://letterboxd.com/davidehrlich/film/the-furious/",
                "year": 2025,
                "rating": 3.5,
                "review": "There have been any number of movies about kidnappers who choose the wrong girl to abduct (e.g. “Man on Fire,” “The Searchers,” “Saving Silverman”), but none of the kidnappers in any of those movies have ever chosen wronger than the child traffickers in Kenji Tanigaki’s “The Furious,” who snatch a tradesman’s daughter off the streets and then pay for their insolence by getting their shit absolutel",
                "rewatch": false,
                "watched_date": "2026-06-12"
            },
            {
                "film": "The Death of Robin Hood",
                "link": "https://letterboxd.com/davidehrlich/film/the-death-of-robin-hood/",
                "year": 2026,
                "rating": 3,
                "review": "It would be very easy to confuse “Pig” director Michael Sarnoski’s “The Death of Robin Hood” for a gray and gritty new take on the Prince of Thieves, but that would technically be inaccurate on all counts. For starters, this movie isn’t “gray” so much as its first act looks like it was shot directly onto volcanic ash, and “gritty” feels a bit insufficient for a medieval character study that has le",
                "rewatch": false,
                "watched_date": "2026-06-11"
            },
            {
                "film": "Disclosure Day",
                "link": "https://letterboxd.com/davidehrlich/film/disclosure-day/",
                "year": 2026,
                "rating": 3.5,
                "review": "Steven Spielberg has now made five movies about aliens (six if you count the 20-minute “Firelight” that he shot on Super 8mm when he was 17, and seven if you roll with my alternate reading of “The BFG”), and all of them are very straightforward about their shared belief that we are not by ourselves in the cosmos. Mystery abounds, but the basic existence of extraterrestrial life is unambiguously co",
                "rewatch": false,
                "watched_date": "2026-06-09"
            },
            {
                "film": "Here I'm Alive",
                "link": "https://letterboxd.com/davidehrlich/film/here-im-alive/",
                "year": 2026,
                "rating": 3,
                "review": "There are more than eight million stories in the naked city, but it increasingly feels like there’s only one: a dystopian anti-drama about how technology is weaponized against the ever-growing underclass with empty promises of connection and prosperity. Seduced along by the indifference of an infinite scroll, Joshua Z. Weinstein’s “Here I’m Alive” — his first feature since 2017’s “Menashe” — slurr",
                "rewatch": false,
                "watched_date": "2026-06-08"
            },
            {
                
…