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Don't be misled by the enormous flow of money into bad defacto standards for unsophisticated buyers using poor adaptations of incomplete ideas.\"\n\n—Alan Kay","created_at":"2012-04-25T18:30:41.754Z","connected_at":"2012-04-26T13:47:34.070Z"},{"id":1246,"user":"Charles Broskoski","class":"Text","title":"William Gibson on Otaku","content":"> The otaku, the passionate obsessive, the information age's embodiment of the connoisseur, more concerned with the accumulation of data than of objects, seems a natural crossover figure in today's interface of British and Japanese cultures. I see it in the eyes of the Portobello dealers, and in the eyes of the Japanese collectors: a perfectly calm train-spotter frenzy, murderous and sublime. Understanding otaku -hood, I think, is one of the keys to understanding the culture of the web. There is something profoundly post-national about it, extra-geographic. 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